A Model of Storytelling: Internal Conflict in Frankenstein

My favorite novel is Frankenstein. This has been true since I first read this story, and it will likely continue to be true. One of the reasons I love this work so much is because I feel the experience of Victor Frankenstein. The regret he endures for creating his monster is a sensation I have never felt before when reading a work. I think this is because I know this feeling well. We all do. Everyone makes a big mistake at one point in their life and suffers because of it. We are forever changed through our slow recovery. That is the story one relives in reading Frankenstein, and that is the story one witnesses in Bride of Frankenstein. 


There are a lot of strengths of this movie, and its glimpses of regret are at the forefront. I’m biased, of course, since I love this story so much. It’s hard to do any wrong adapting this classic work of Romantic literature. Perhaps what I love most about this adaptation is the scope of each setting. They are small, humble, abbreviated settings. These abbreviated settings center the focus on characters and their individual moments of internal conflict. The monster is another strength. He’s the best depiction we have of the author’s famous character. Watch the movie, but pay close attention to the struggle our characters endure from the opening to the end.



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